A Critical Study of Blade Runner from A Posthumanism Perspective

A Critical Study of Blade Runner from A Posthumanism Perspective

Authors

  • Minghuang Yu School of Foreign Languages, Jiangxi University of Technology Nanchang, Jiangxi, China

DOI:

https://doi.org/10.53469/jsshl.2024.07(02).22

Keywords:

Posthumanism, Blade Runner, Cyborg, Literary Theory

Abstract

Posthumanism is the theory concerned with how the developments in technology and science has challenged our conception of what it means to be human. It looks for representations of a posthuman condition within literature, mostly in science fiction texts. The theory mapping the development of humanism into the present day and its relationship with technology and devoting in looking at the distinction between humans and animals and/or humans and machines. As one of the most notable artworks in the film industry, the Blade Runner is always regarded as a representative research object of posthumanism theory. This paper would mainly focus on the analysis of Blade Runner, to see how posthumanism is performed and distillated in this classical film.

References

Badmington, Neil. “Theorizing Posthumanism.” Cultural Critique, vol. 53, no. 1, 2003.

Braidotti, Rosi. The Posthuman. Polity Press, 2013.

Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Simians, Cyborgs and Women: The Reinvention of Nature, Routledge, 1991.

Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. The University of Chicago Press, 1999.

Scott, Ridley, director. Blade Runner. Warner Bros., 1982.

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Published

2024-04-25
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