A Study of Zhou Enlai through the Cahiers Approach to Demonstrate that Zhou Enlai is Portrayed as An Ideological Myth

A Study of Zhou Enlai through the Cahiers Approach to Demonstrate that Zhou Enlai is Portrayed as An Ideological Myth

Authors

  • Kaihui Bi University of Southampton

DOI:

https://doi.org/10.53469/jsshl.2023.06(04).18

Keywords:

Ideology, Zhou Enlai, Myth writing

Abstract

This paper believes that Zhou Enlai successfully set up a mythical father image through the operation of ideology. The purpose of this paper is to deconstruct how this image is established in the film Zhou Enlai through the research method of ideology, and find evidence to demonstrate this point of view through the study of the film text. This paper will study the key ideographs of each scene, and in the process of study, attention will be paid to the activities of each paragraph to avoid the stillness of each segment.

References

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Althusser Louis, ‘Ideology and ideological state apparatuses (notes towards an investigation)(1970)’, Cultural theory: an Anthology, 2010, 204-22.

Chen Jde, ‘Ideological Criticism and Its Value to Film Studies’, Journal of Nanjing Normal University (Social Science Edition), 04(2020), 140-148.

Comolli, Jean-Luc, and Paul Narboni, Cinema, ideology, criticism, 2004.

Du Cinema C, 1972, ‘John Ford’s Young Mr Lincoln: A Collective Text by the Editors of Cahiers Du Cinema’, Screen, 13.3: 5–44 10.1093/screen/13.3.5>

Xu Nanshan, Fu Liu, and Cui Junyan, Dian Ying Yi Shu Ci Dian(Beijing:Zhong Guo Dian Ying Chu Ban She,2005).

Wikipedia, ‘Wikipedia, the Free Encyclopedia’, Wikipedia (Wikimedia Foundation)<https://en.wikipedia.org/wiki/Main_Page> [accessed 11 January 2023]

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Published

2023-08-15
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