Exploring Intimacy and Temporality: Deconstructing Tsai Ming-Liang's Stray Dogs through Face, Close-up, and Long Shot

Exploring Intimacy and Temporality: Deconstructing Tsai Ming-Liang's Stray Dogs through Face, Close-up, and Long Shot

Authors

  • Jinlu Li Columbia University School of the Arts

DOI:

https://doi.org/10.53469/jsshl.2023.06(05).30

Abstract

NA

References

Balázs, Béla, and Rodney Livingstone. Bela Balazs: Early Film Theory: Visible Man and The Spirit of Film. Edited by Erica Carter, 1st ed., Berghahn Books, 2011. JSTOR, http://www.jstor.org/stable/j.ctt9qch5p. Accessed 9 May 2023.

Campany, David. Photography and Cinema. Reaktion, 2008. ProQuest, http://ezproxy.cul.columbia.edu/login?url=https://www-proquest-com.ezproxy.cul.columbia.edu/books/photography-cinema/docview/822976941/se-2.

Doane, Mary Ann. Bigger Than Life: The Close-Up and Scale in the Cinema, New York, USA: Duke University Press, 2021. https://doi.org/10.1515/9781478021780

Epstein, Jean, and Stuart Liebman. Magnification and Other Writings, October, vol. 3, 1977, pp. 9–25. JSTOR, https://doi.org/10.2307/778434. Accessed 9 May 2023.

Merleau-Ponty, Maurice, 1908-1961. Phenomenology of Perception. London : New York :Routledge & K. Paul; Humanities Press, 1974.

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Published

2023-10-30
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